By displaying spaces and surfaces which are fictitious as well as organic looking the show draws attention to the role of timeliness and randomness in nature. Seemingly tangible textures and digital compositions intertwine in the artworks on show. All three artists experiment with the materials of photography by redefining analog techniques and reusing organic materials. Piti and Val combine used negatives with digital methods and Rajnai develops a digitally taken photo in an analog way onto natural material.

Although the artworks on show display pieces that present abstract, seemingly organic structures, they are all digital. The organic quality might be caused by not only the use of natural substances but also by the fact that the randomness and the passing of time during the creation process becomes visible in the works. Randomness is a central characteristic used by physics as well when processes taking place in nature are described. For instance, the Gauss-curve is used to visualize the random distribution or the Brown-motion is to describe the randomly moving particles. They are the damage caused by passing time on the negatives in Piti's works, the trace of the flow of liquid chemicals on negatives in Val's works and the random arrangement of pixels on Rajnai's canvases that reflect on the randomness and timeliness of the creation process.

It is the visibility of randomness and timeliness in the creation process that converts abstract structures into organic shapes in the eye of the viewer. The exhibited pieces vividly depict the co-existence of artistic intention and randomness, the organic and the digital, which also evokes questions about the materiality of photography and the description of processes in nature.


Marcell pitti: TErra i.

digital photo on digital frame, 2015, ed. 30

More info about this work: HERE

isabel val: Formas V.

digital composition on dibond, 2019, ed.50

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ákos rajnai: sequence 88

photo on canvas, 2019, ed.1

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